The ProRes family of codecs use compression algorithms based on the discrete cosine transform (DCT) technique, much like the H.26x and MPEG standards. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. For use in post-production that supports up to 8K. Apple ProRes is a high quality, lossy video compression format developed by Apple Inc. If not, Final Cut Pro will refuse reading the files or spending much time on the rendering process. As for FCP X, Apple ProRes 422 is the best format to read. The reliable workaround we've found so far is to transcode P2 MXF to Apple Prores for FCP by using Pavtube P2 MXF Converter for Mac. With its modern Metal engine, Final Cut Pro allows you to edit more complex. Play Apple ProRes files through QuickTime.
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